Laurent Mannoni Edited by
Dr Richard Crangle Translated by
Dr Richard Crangle
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth.
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.
Grégoire Le Roy Edited by
Professor Richard Bales
Grégoire Le Roy was at school with Maeterlinck and Van Leberghe, and grew up in the same atmosphere of intellectual ferment. His first published collection pre-dates Maeterlinck’s Serres chaudes. This is the first edition since their original publication of the three collections of poems by a significant member of the Belgian Symbolist school.
This book offers the first full account of the film society movement in Britain and its contribution to post-World War Two film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses on ‘Film Studies’.
From the authors of the successful Grand-Guignol and London’s Grand Guignol - also published by UEP – this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language.
Since The Théâtre du Grand-Guignol closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance.
<p><p><BR>From the authors of the successful <em>Grand-Guignol </em>and <em>London’s Grand Guignol</em> - also published by UEP – this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language.</p><BR><P></p>
Richard Abel, Charles R. Acland, Professor Robert C. Allen, Charles Ambler, Daniel Biltereyst, Richard Butsch, Thomas Doherty, Jane M. Gaines, Mark Glancy, Ahmet Gürata, Mark Jancovich, Barbara Kilinger, Jeffery Klenotic, Annette Kuhn, Terry Lindvall, Richard Maltby, Christopher J. McKenna, Anne Morey, Dr John Sedgwick, Dr Melvyn Stokes, Judith Thissen, Gregory A. Waller, Haidee Wasson Edited by
Richard Maltby, Dr Melvyn Stokes, Professor Robert C. Allen
This book analyses the diverse historical and geographical circumstances in which audiences have viewed American cinema. It looks at cinema audiences ranging from Manhattan nickelodeons to the modern suburban megaplex, and from provincial, small-town or rural America to the shanty towns of South Africa.
A. D. P. Briggs, Dr Roger Cockrell, Malcolm V. Jones, W. J. Leatherbarrow, R. A. Peace, David Richards Edited by
David Richards, Dr Roger Cockrell
The Voice of a Giant looks at seven masterpieces of Russian nineteenth-century prose fiction. Each chapter concentrates primarily on a detailed analysis of one of these works but reference is also made to historical background, the seven author’s general attitudes and the distinguishing characteristics of Russian literature.
Jennifer Bake, Katherine Barker, John Chapman, Graham Haslam, Prof. Roger Kain, Richard Oliver, ? William Ravenhill Edited by
Prof. Roger Kain, Katherine Barker
This volume of essays considers the practical and political purposes for which maps were used, the symbolic and ideological roles of maps in the history of South-Western England and the ways in which map evidence can be used to recover facts about the past for use in the writing of history. It is accompanied by 43 pages of maps and illustrations.