This book offers the first full account of the film society movement in Britain and its contribution to post-World War Two film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses on ‘Film Studies’.
Laurent Mannoni Edited by
Dr Richard Crangle Translated by
Dr Richard Crangle
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth.
Jane Addams, Theodor Adorno, Gordon Allport, Sherwood Anderson, Raymond Bauer, Daniel Bell, Bernard Berelson, Edward Bernays, Herbert Blumer, Warren Breed, Ernest W. Burgess, Hadley Cantril, John Cheever, Charles Horton Cooley, Reuel Denny, John Dewey, George Gallup, George Gerbner, Nathan Glazer, Herta Herzog, Max Horkheimer, Donald Horton, Helen MacGill Hughes, Julian Sorrell Huxley, Harold Innis, Elihu Katz, Ernst Kris, Galdys Engel Lang, Kurt Lang, Harold Dwight Lasswell, Paul F. Lazarsfeld, Alfred McLung Lee, Elizabeth Briant Lee, Daniel Lerner, Walter Lippman, Alain Locke, Leo Lowenthal, Helen M. Lynd, Robert S. Lynd, Dwight Macdonald, Duncan MacDougald, Herbert Marcuse, Thelma McCormack, Marshall McLuhan, Robert K. Merton, Rolf Meyersohn, C Wright Mills, Newton Minow, Lewis Mumford, Gunnar Myrdal, Robert E. Park, Hortense Powdermaker, Saul Rae, Stuart Rice, David Riesman, John W. Riley, James Rorty, Edward Sapir, David Sarnoff, Herbert Schiller, Wilbur Schramm, Dallas Smythe, Hans Speier, Leila A. Sussmann, Sidney Verba, Norbert Wiener, Malcolm Willey, Louis Wirth, ichard Richard Wohl, Charles Wright Edited by
John Durham Peters, Peter Simonson
Since The Théâtre du Grand-Guignol closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance.