Nicholas Rescher, Richard Shusterman, Linda Martín Alcoff, Lorraine Code, Sandra Harding, Bat-Ami Bar On, John Lachs, John J. Stuhr, Douglas Kellner, Thomas E. Wartenberg, Paul C. Taylor, Nancey Murphy, Charles W. Mills, Nancy Tuana, Joseph Margolis Edited by
Richard Abel, Charles R. Acland, Professor Robert C. Allen, Charles Ambler, Daniel Biltereyst, Richard Butsch, Thomas Doherty, Jane M. Gaines, Mark Glancy, Ahmet Gürata, Mark Jancovich, Barbara Kilinger, Jeffery Klenotic, Annette Kuhn, Terry Lindvall, Richard Maltby, Christopher J. McKenna, Anne Morey, Dr John Sedgwick, Dr Melvyn Stokes, Judith Thissen, Gregory A. Waller, Haidee Wasson Edited by
Richard Maltby, Dr Melvyn Stokes, Professor Robert C. Allen
This book analyses the diverse historical and geographical circumstances in which audiences have viewed American cinema. It looks at cinema audiences ranging from Manhattan nickelodeons to the modern suburban megaplex, and from provincial, small-town or rural America to the shanty towns of South Africa.
Mary C. Banwart, Lauren C. Bell, Diana B. Carlin, Joan L. Conners, Corey Davis, Jeffrey Delbert, Mitchell S. McKinney, Janette Kenner Muir, James M. Schnoebelen, Julia A. Spiker, Karen Stein, Anita M. Taylor, Kathleen M. Torrens, Richard E. Vatz, Benjamin R. Warner, Kelly Winfrey Edited by
Theodore F. Sheckels
Mark Bannister, Madeline Bertaud, Simone Bertière, Richard Bonney, William Brooks, Prof. Keith Cameron, John Campbell, David Clarke, Yves Coirault, John Cruickshank, Edward Forman, C. J. Gossip, Noémi Hepp, William D. Howarth, Colin Jones, Margaret McGowan, Wendy Perkins, Henry Phillips, Jean Rohou, Guy Snaith, Elizabeth Woodrough Edited by
Prof. Keith Cameron, Elizabeth Woodrough
This collection of twenty essays, of which five are in French, written by leading English and French literary and historical scholars, deconstructs the ethical and political framework supporting and circumscribing the actions of a powerful elite in France between the early 1600s and the final years of Louis XIV's reign.
Laurent Mannoni Edited by
Dr Richard Crangle Translated by
Dr Richard Crangle
Widely regarded by historians of the early moving picture as the best work yet published on pre-cinema, The Great Art of Light and Shadow: Archaeology of the Cinema throws light on a fascinating range of optical media from the twelfth century to the turn of the twentieth.
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.
J. R. Andrews, K. Atkinson, C.M. Bristow, Roger Burt, R. A. Cullingford, E.M. Durrance, R. P. Edwards, P. Granger, M. B. Hart, M. J. Heath, K. P. Issac, F. W. A. A. Lucas, D. A. C. Manning, D. Robinson, R. C. Scrivener, E.B. Selwood, R. K. Shail, T. J. Shepherd, J. M. Thomas, J. Willis-Richards Edited by
E.B. Selwood, E.M. Durrance, C.M. Bristow
The geology of Cornwall has been the subject of continuing investigation since the end of the seventeenth century. A literature of great historical interest exists, and this is analysed in this book alongside a wide-ranging review of the current position and assessments of the environmental consequences of rock and mineral exploitation.
Elizabeth Boa, Gail K. Hart, Robert C. Holub, Patricia Howe, Ann Jefferson, Rosemary Lloyd, Jann Matlock, Professor Mary Orr, Ricarda Schmidt, Naomi Segal, Professor Lesley Sharpe, Judith Still Edited by
Professor Mary Orr, Professor Lesley Sharpe
From Goethe to Gide brings together twelve essays on canonical male writers commissioned from leading specialists from Britain and North America. These essays, aimed at final year undergraduates and postgraduates, focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, Gide.