This book offers the first full account of the film society movement in Britain and its contribution to post-World War Two film culture. It brings to life a lost history of alternative film exhibition and challenges the general assumption that the study of film began with university courses on ‘Film Studies’.
From the authors of the successful Grand-Guignol and London’s Grand Guignol - also published by UEP – this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language.
Since The Théâtre du Grand-Guignol closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance.
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.
Paul Nietupski, Joan O'Mara Contributions by
Roger T. Ames, Teodora O. Amoloza, Patricia J. Graham, Sandy Kita, Helena Kolenda, Karil J. Kucera, Ellen Johnston Laing, Stanley L. Mickel, Mary-Ann Milford-Lutzker, Samuel K. Parker
Samuel S. Kim Contributions by
Lowell Dittmer, Barry K. Gills, Dongsook S. Gills, William W. Grimes, Natasha Hamilton-Hart, Thomas G. Moore, Ann Marie Murphy, Peter Van Ness, Hongying Wang, Bridget Welsh, Lynn T. White III
<p><p><BR>From the authors of the successful <em>Grand-Guignol </em>and <em>London’s Grand Guignol</em> - also published by UEP – this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language.</p><BR><P></p>