Eighteenth-Century Brechtians is a collection of essays by a well-known author on comic and radical political theatre. It looks at stage satires by John Gay, Henry Fielding, George Farquhar, Charlotte Charke, David Garrick and their contemporaries through the lens of Brecht’s theory and practice. 15 b&w illustrations.
<p><p><BR><em><em>Eighteenth-Century Brechtians </em></em>is a collection of essays by a well-known author on comic and radical political theatre. It looks at stage satires by John Gay, Henry Fielding, George Farquhar, Charlotte Charke, David Garrick and their contemporaries through the lens of Brecht’s theory and practice.</p><BR><P></p>
Prof. Arun Kumar Joshi, Vinod Kumar Mishra, Simanchal Sahu, Prof. Peter J. Gregory, Christina K. Clarke, Dr Vijesh Krishna, Alwin Keil, Sreejith Aravindakshan, Mukesh Meena, Dr Q. Xue, J. Rudd, J. Bell, T. Marek, S. Liu, Tadesse Dessalegn, Tesfaye Solomon, Tesfaye Gebre Kristos, Abiy Solomon, Shure Seboka, Yazie Chane, Dr Bhadriraju Subramanyam, Kamala A. Roberts, Fetien Abay, Rizana Mahroof, J. R. Guarin, Prof. Senthold Asseng, Dr Brian L. Beres, Reem Aboukhaddour, Haley Catton, Dr Thomas F. Döring, J. M. Clarke, K. Nilsen, D. Khitiri, X. Lin, Prof. C. J. Pozniak, K. Ammar, Dr Tinashe Chiurugwi, Simon Kerr, Ian Midgley, L. A. Boyd, Johnson Kamwaga, Peter Njau, Terry van Gevelt, Claudia Canales, Max Marcheselli, Dr Rajiv Kumar Sharma, Dr W. Tadesse, A Amri, M Sanchez-Garcia, M El-Bouhssini, M Karrou, S Patil, F Bassi, Dr M. Baum, Prof. T. Oweis Edited by
Prof. Peter Langridge
Volume 2 discusses ways of improving cultivation from variety selection to post-harvest storage. It reviews trends in integrated crop management, sustainable intensification and organic cultivation before concluding by looking at ways of supporting smallholders in the developing world.
Adrian L Jobson, Adrian R. Bell, Benjamin L. Wild, C. William Marx, Caroline Burt, Caroline Dunn, Chris Brooks, D A Trotter, Daniel Power, Florent Lenègre, Julia Barrow, Julie E. Kanter, Tony K. Moore, William Chester Jordan Edited by
Janet Burton, Frédérique Lachaud, Phillipp Schofield
Essays reflecting the most recent research on the thirteenth century, with a timely focus on the Treaty of Paris.
Offers a new criticism of contemporary Jewish art, showing how Jewish artists bring their use of action and process to Jewish ideas. Bringing together exhibition catalogs, midrashic texts, and artist statements, this book addresses abstraction, conceptual art, performance art, and other styles that do not rely on imagery for meaning.