The Art of Executing Well

Rituals of Execution in Renaissance Italy

Edited by Nicholas Terpstra

Hardback - £19.95

Publication date:

01 October 2008

Length of book:

360 pages

Publisher

Truman State University Press

ISBN-13: 9781931112888

In Renaissance Italy a good execution was both public and peaceful—at least in the eyes of authorities. In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen. This volume includes some of the songs, stories, poems, and images that they used, together with first-person accounts and ballads describing particular executions. Leading scholars expand on these accounts explaining aspects of the theater, psychology, and politics of execution.

The main text is a manual, translated in English for the first time, on how to comfort a man in his last hours before beheading or hanging. It became an influential text used across Renaissance Italy. A second lengthy piece gives an eyewitness account of the final hours of two patrician Florentines executed for conspiracy against the Medici in 1512. Shorter pieces include poems written by prisoners on the eve of their execution, songs sung by the condemned and their comforters, and popular broadsheets reporting on particular executions. It is richly illustrated with the small panel paintings that were thrust into prisoners’ faces to distract them as they made the public journey to the gallows.

Six interdisciplinary essays explain the contexts and meanings of these writings and of execution rituals generally. They explore the relation of execution rituals to late medieval street theater, the use of art to comfort the condemned, the literature that issued from prisons by the hands of condemned prisoners, the theological issues around public executions in the Renaissance, the psychological dimensions of the comforting process, and some of the social, political, and historical dimensions of executions and comforting in Renaissance Italy.

The Art of Executing Well offers a disturbing picture of what went on behind the scenes at executions in Renaissance Italy. Companies of patrician laymen consoled the condemned during the dark night before an execution, whispered prayers into his ear as he marched through the streets on the way to the scaffold, and stood by him right up to the moment of death. Only in Italy did “companies of death” offer professionals, merchants, and political leaders an intimate experience with the horrors of judicial executions. This fascinating volume, which conveys all the psychological and spiritual intensity of these dramatic personal encounters between the condemned and the political figures who supported capital punishment, suggests why, long before other Europeans Italian elites became skeptical of the benefits of judicial executions, Tuscany was the first European state to abolish capital punishment.”

—Edward Muir