Fear and Nature

Ecohorror Studies in the Anthropocene

Edited by Christy Tidwell, Carter Soles

Hardback - £87.95

Publication date:

07 July 2021

Length of book:

300 pages

Publisher

Penn State University Press

ISBN-13: 9780271090214

Ecohorror represents human fears about the natural world—killer plants and animals, catastrophic weather events, and disquieting encounters with the nonhuman. Its portrayals of animals, the environment, and even scientists build on popular conceptions of zoology, ecology, and the scientific process. As such, ecohorror is a genre uniquely situated to address life, art, and the dangers of scientific knowledge in the Anthropocene.

Featuring new readings of the genre, Fear and Nature brings ecohorror texts and theories into conversation with other critical discourses. The chapters cover a variety of media forms, from literature and short fiction to manga, poetry, television, and film. The chronological range is equally varied, beginning in the nineteenth century with the work of Edgar Allan Poe and finishing in the twenty-first with Stephen King and Guillermo del Toro. This range highlights the significance of ecohorror as a mode. In their analyses, the contributors make explicit connections across chapters, question the limits of the genre, and address the ways in which our fears about nature intersect with those we hold about the racial, animal, and bodily “other.”

A foundational text, this volume will appeal to specialists in horror studies, Gothic studies, the environmental humanities, and ecocriticism.

In addition to the editors, the contributors include Kristen Angierski, Bridgitte Barclay, Marisol Cortez, Chelsea Davis, Joseph K. Heumann, Dawn Keetley, Ashley Kniss, Robin L. Murray, Brittany R. Roberts, Sharon Sharp, and Keri Stevenson.

Fear and Nature expansively defines eco-horror as not only a sub-genre of literature but as a cohesive mode operating across genres and media. Whether talking about Algernon Blackwood or Algernon Swinburne, Bong Joon Ho or Junji Ito, this volume explores the rhizomatic connections that make eco-criticism something that transcends genre, and makes a convincing case for its relevance not only today but as a way of reconsidering what has come before.”

—Brian Evenson, author of Song for the Unraveling of the World