The World of the Early Sienese Painter
By (author) Hayden B. J. Maginnis
Publication date:01 December 2000
Length of book:440 pages
PublisherPenn State University Press
Siena of the thirteenth and fourteenth centuries was one of the great cities of Europe and its artists—Duccio, Simone Martini, and Ambrogio and Pietro Lorenzetti—were among those who reshaped the nature and place of painting first in Italy, then across Europe. Drawing on the extraordinary riches of Sienese archives, on early unpublished secondary sources, and on the recent work of historians, Hayden Maginnis situates early Sienese painters within their society and their city and provides the first comprehensive account of the economic, social, religious, and intellectual world of Siena’s artists.
Where did painters live? How much were they paid? What was their social status? Were painters aware of the novel importance of thirteenth-century optics? Were the famous Sienese painters isolated figures, surrounded by a few secondary figures, or were they part of a larger community? These and a host of related questions structure Maginnis’s book, which demonstrates how firmly painters’ lives were embedded in the values and customs of their society and how important the particular character of their society was for the patronage artists received. The World of the Early Sienese Painter is the second volume of a trilogy Maginnis began with Painting in the Age of Giotto (1997). The third volume will turn from the broad social and cultural history of the present book to a history of early Sienese painting.
The World of the Early Sienese Painter is brilliant, creative, and suggestive, all at precisely the right junctures and in precisely the right proportions. Readers of all levels of expertise will learn much from its methodological approach and the details that inform the core of Maginnis’s text. Remarkably, the third tome in this series promises to be the most important, as Maginnis will build upon the foundations put in place in the first two to shape new interpretations of monumental Sienese painting. If this forthcoming volume is as fresh, honest, and challenging as the first two, Maginnis will have succeeded in producing perhaps the most comprehensive and innovative study of Sienese painting in generations.”
—Goerge R. Bent, CAA Reviews