Jazz in the 1970s

Diverging Streams

By (author) Bill Shoemaker

Hardback - £38.00

Publication date:

20 December 2017

Length of book:

264 pages

Publisher

Rowman & Littlefield Publishers

Dimensions:

237x160mm
6x9"

ISBN-13: 9781442242098

Breaking through pervasive misconceptions, Jazz in the 1970s explores a pivotal decade in jazz history. Many consider the 1970s to be the fusion decade, but Bill Shoemaker pushes back against this stereotype with a bold perspective that examines both the diverse musical innovations and cultural developments that elevated jazz internationally. He traces events that redefined jazz’s role in the broadband arts movement as well as the changing social and political landscape.

Shoemaker immerses readers in the cultural transformation of jazz through:
  • official recognition with events like Jimmy Carter’s White House Jazz Picnic and the release of The Smithsonian Collection of Classic Jazz;
  • the market validation of avant-garde musicians by major record labels and the concurrent spike in artist-operated record labels and performance spaces;
  • the artistic influence and economic impact of jazz festivals internationally;
  • the emergence of government and foundation grant support for jazz in the United States and Europe;
  • and the role of media in articulating a fast-changing scene.

Shoemaker details the lives and work of well-known innovators (such as Art Ensemble of Chicago, Anthony Braxton and Sam Rivers) as well as barrier-breaking artists based in Europe (such as Derek Bailey, Peter Brötzmann and Chris McGregor) giving both longtime fans and newcomers insights into the moments and personae that shaped a vibrant decade in jazz.

Focusing primarily on one figure or group of musicians for each year of the decade, Shoemaker looks at British and European musicians, including Han Bennink, Peter Brötzmann, Albert Mangelsdorff, Chris McGregor, John Stevens, Derek Bailey, and Evan Parker. Major American figures profiled are Julius Hemphill, Anthony Braxton, Archie Shepp, Cecil Taylor, and Sam Rivers. Shoemaker also discusses jazz criticism and the jazz canon, jazz festivals, and jazz at the White House. His explorations of the music and “scenes” of the musicians are thorough. This is a well-written and important book.



Summing Up: Recommended. Upper-division undergraduates through faculty and professionals.