Contemporary Collecting

Objects, Practices, and the Fate of Things

Edited by Kevin M. Moist, David Banash

Hardback - £90.00

Publication date:

09 May 2013

Length of book:

292 pages

Publisher

Scarecrow Press

Dimensions:

240x162mm
6x9"

ISBN-13: 9780810891135

While the importance of collections has been evident in the sciences and humanities for several centuries, the social and cultural significance of collecting practices is now receiving serious attention as well. As reflected in programs like Antiques Roadshow and American Pickers, and websites such as eBay, collecting has had a consistent and growing presence in popular culture. In tandem with popular collecting, institutions are responding to changes in the collecting environment, as library catalogs go online and museums use new technologies to help generate attendance for their exhibits.

In Contemporary Collecting: Objects, Practices, and the Fate of Things, Kevin M. Moist and David Banash have assembled several essays that examine collecting practices on both a personal and professional level. These essays situate collectors and collections in a contemporary context and also show how our changing world finds new meaning in the legacy of older collections. Arranged by such themes as “Collecting in a Virtual World,” “Changing Relationships with Things,” “Collecting and Identity—Personal and Political,” and “Collecting Practices and Cultural Hierarchies,” these essays help illuminate the role of objects in our lives.

Covering a breadth of interdisciplinary perspectives and subjects—from PEZ candy dispensers and trading cards to sports memorabilia and music—Contemporary Collecting will be of interest to scholars of cultural studies, anthropology, popular culture studies, sociology, art history, and more.
In editors Moist and Banash's volume on collecting, philosopher Stanley Cavell writes that "collecting for possession and display is as primitive as gathering food for survival." The contributors assess the growing significance of different impulses, forms, and manifestations of collecting as a cultural practice through a series of 13 provocative essays. Cavell's foundational treatment examines different collection guises from Homer to Walter Benjamin. In the section "Collecting in a Virtual World," the subject is things that occur in memory, ephemera, and cyberspace, such as 1960s provincial children's television. Banash's essay explores changing relationships to possessions in a post-material world, the reclamation of Pez dispensers (a candy-toy combination), and William King's meditation on a collection of nothing (cast-off secondhand items). The collecting and identity section visits baseball memorabilia that moves from a private collection to a stadium, Nazi cigarette cards (popular tales of Hitler avidly sought by German youth), and the Victorian women's collections that helped create a national narrative. A final section on collecting and hierarchy suggests a cultural anthropology accomplished through record collecting, Alex Jordan Jr.'s unintentionally comedic House on the Rock collections, and the evolution of curiosity cabinets into modern museums. Summing Up: Recommended. All readership levels.