Gabriel García Márquez in Retrospect
A Collection
Contributions by Rudyard Alcocer, Nicholas Birns, Juan De Castro, William Flores, Edith Grossman, Zhanna Gurvich, Héctor Hoyos, Regina Janes, María del Mar López-Cabrales, Ignacio López-Calvo, Haley Osborn, Rubén Pelayo, Robert L. Sims, Fernando Valerio-Holguín, Olivia Vázquez-Medina, Marcela Velasco, Michael Wood Edited by Gene H. Bell-Villada
Publication date:
18 November 2016Length of book:
288 pagesPublisher
Lexington BooksISBN-13: 9781498533386
Gabriel Garcia Marquez in Retrospect gathers fifteen essays by noted scholars in the fields of Latin American literature, politics, and theater. The volume offers broad overviews of the Colombian author’s total body of work, along with closer looks at some of his acknowledged masterpieces. The Nobel laureate’s cultural contexts and influences, his variety of themes, and his formidable legacy (Hispanic, U.S., world-wide) all come up for consideration. New readings of One Hundred Years of Solitude are further complemented by fresh, stimulating, highly detailed examinations of his later novels (Chronicle of a Death Foretold, The General in His Labyrinth, Of Love and Other Demons) and stories (Strange Pilgrims). Further attention is focused on “Gabo’s” labors as journalist and as memoirist (Living to Tell the Tale), and to his sometime relationships with the cinema and the stage. Reactions to his enormous stature on the part of younger writers, including recent signs of backlash, are also given thoughtful scrutiny. Feminist and ecocritical interpretations, plus lively discussions of Gabo’s artful use of humor, character’s names, and even cuisine, are to be found here as well. In the wake of García Márquez’s passing away in 2014, this collection of essays serves as a fitting tribute to one of the world’s greatest literary figures of the twentieth century.
[T]he best homage to a great author is to imagine ways to read his work anew. Gene Bell-Villada’s timely selection of essays does exactly that: it sheds new light on a multifaceted writer that still manages to stimulate the critical imagination of readers from around the world. . . . Among its many virtues, this book reminds us that García Márquez embodied a unique pleasure in the act of writing. Most of the collection’s papers share this “joie d’ecrire,” as they combine rigor, poetry, and a dose of playful wit that suits the analysis of a lyrical mamagallista like Gabo. Among them, Bell-Villada’s own good-humored introduction is unparalleled. This tone allows many of the texts to both celebrate the writer and deal with him in an intellectually nuanced way that, instead of solidifying the icy statue of the canonic author, brings a renewed warmth to his work and makes him, once again, our contemporary.