100 Books Every Folk Music Fan Should Own
By (author) Dick Weissman
Publication date:
30 January 2014Length of book:
210 pagesPublisher
Rowman & Littlefield PublishersISBN-13: 9780810882348
In recent years an almost overwhelming number of books have appeared covering various aspects of American folk music and its history. Before 1970, most comprised collections of songs with a sprinkling of biographical information on noted performers. Over the past decade, however, scholars, journalists, and folk artists themselves have contributed biographies and autobiographies, instructional books and historical surveys, sociological studies and ethnographic analyses of this musical genre.
In 100 Books Every Folk Music Fan Should Own, performer and historian Dick Weissman offers a reliable route through the growing sea of book-length studies, establishing for future scholars a foundation for their research. Beginning with early twentieth-century collections of folk songs, the author brings readers to the present by exploring modern studies of important events, critical collections of primary sources, the most significant musical instruction guides, and in-depth portraits of traditional and contemporary American folk musicians. For each title selected, Weissman provides his own brief summary of its contents and assessment of its significance for the reader—whether fan or scholar.
Folk music fans, scholars, and students of the American folk music tradition—indeed, any reader seeking guidance on the best books in the field—will want a copy of this vital work.
In 100 Books Every Folk Music Fan Should Own, performer and historian Dick Weissman offers a reliable route through the growing sea of book-length studies, establishing for future scholars a foundation for their research. Beginning with early twentieth-century collections of folk songs, the author brings readers to the present by exploring modern studies of important events, critical collections of primary sources, the most significant musical instruction guides, and in-depth portraits of traditional and contemporary American folk musicians. For each title selected, Weissman provides his own brief summary of its contents and assessment of its significance for the reader—whether fan or scholar.
Folk music fans, scholars, and students of the American folk music tradition—indeed, any reader seeking guidance on the best books in the field—will want a copy of this vital work.
An abundant supply of 'best-of' lists for songs, albums, and musical acts of various genres exists. However, there is a relative dearth of resources to guide music lovers to books about quality recordings. As part of the Best Books in Music series, scholar and musician Weissman helps to rectify this situation for fans of American folk music. Divided by chapter into such helpful subcategories as 'Biographies and Autobiographies,' 'The Immigrants,' and 'Anglo-American Songs,' the 100 (113, actually) entries include plainly written and richly detailed descriptions and critiques of each book. Weissman’s passion for his subject is clearly evident in this guide, which will be appreciated by folk-music aficionados. This would be a good choice for circulating collections.